This Drifting Poo Was Way Too Meaningful! It's the TV Disappointments of the Past Year.
As we reflect on the television offerings of the recent year, a handful of series stand out not for their brilliance, but for their spectacular failures. From cringe-inducing spin-offs to bafflingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.
And Just Like That
Where to begin with this divisive follow-up? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final season started, it looked like it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the final season. It concluded on a low point; the lingering shot of Miranda’s loo full of poo was simply too symbolic. Still, viewers certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was almost the least of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to begin enumerating the flaws. The laughably wooden dialogue? The mind-numbing glorification of affluence and consumption? The almost deliberate procession of cliches? Acting so bad they felt borderline malicious? Let’s just say “each and every one” and forget about this show again. Except, a new season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Considering the legal troubles, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be saved for the people who have had to endure close contact with this charming but flippant egotist.
The Supercomputer Drama
Naturally we knew it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.
MobLand
Shady figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were many other issues. Mainly that it was just really boring; a dispute over narcotics territory between various London picaresques which seemed a bit basic.
With Love, Meghan
Given the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint homemaking as deliberate provocations. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.
Victoria Beckham
There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this documentary series opted not to explore them. Rather, the viewing was akin to reading a sales catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to live up to something way beyond it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.
The Sketch Show Return
Not even good enough to be ‘uneven’.
Given the smart inclusion of gifted emerging comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.
Prime Target
We love the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the content creator notorious for explicit exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was way more interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.